Let's Talk About Covers

This is a copy of a post I put up in January. I just wanted to add another example of a professional cover used by a best-selling, traditionally published author to illustrate the importance of paying a large sum of money to have a beautiful, relevant cover. And, yeah, I am bitter. I spent hours on my new cover yesterday  and have apparently forgotten everything I knew about my photo manipulation program. I couldn't even make a text box which is the easiest part of it.

One of the things some people insist on is that, if you are self-published, you must at least spend some money on a good cover.  I won't.  I bought a Getty Image early on and it pixelated.  I spend a lot of time talking to customer service about it and discussing it with various other humans.  Everyone had a reason, but then I see that very picture I used in some blog or Pin or something I wrote and there it is HUGE.  Huge and unpixelated.  So now, I do screen shots, copy image, mess around with that photo manipulation program that I bought (which is not PhotoShop but has a smudging tool, which is really all you need), incorporate, and yeah, steal.  I DO, honestly, make every attempt possible to attribute.  That is just the way I am.  And the one picture I out and outright snitched is not in use by me any more.  So you can unknot your skivvies.  There are two covers on Barnes and Noble for my work that SUCK.  This is because of size requirements and impatience.  I shall, when I am in the right mood, put beautiful corrected covers up, but it apparently doesn't make much difference since I sell more on Barnes and Noble than anywhere else.  (Which really doesn't say much.)

So, first of all, the size requirement thing is so much baloney since I have seen with my own eyes that anything can be manipulated into any other thing.  How many times have you looked at a pin on Pinterest that was all blurry, and you wait a few seconds for it to resolve, and it doesn't?  Me -- more than once.  And another time there will be a long list of tiny photos that someone pinned, like the cats at war, and you enlarge one of those tiny thumbnail photos and you can read the number on the cat's rabies tag.

And secondly, there is a thing about originality.  Despite the fact that some big selling authors leave all the cover design and stuff like that to the publisher, probably thinking  the publisher should do that since he gets $7.00 for every book sold and the author gets $1.17, still, you will find an amusing and well-written piece on that delightful site Smart Bitches, showing that several different, very big selling romance novels have exactly the same cover illustration only it is reversed on one or the dress is a different color on another, or a desert is placed in the background where another has an ocean, or a forest, or a frozen expanse of tundra.  This goes on ALL the time.  And nobody does anything about it, and the huge selling author says, "Sigh."

This got me going tonight because I noticed the cover on Steven King's Joyland and I was pretty sure it is a copy of a vintage pulp fiction work with a title concerning something about red heads being sinners.  I thought I had it posted on my beautiful, extensive, entertaining Redheads board on Pinterest, but I could not find it, so I am not able to provide evidence that the picture was cribbed.  Besides, if Mr. King wanted to use someone else's photo, he sure would pony up whatever it cost cuz that is just the way he is.  And he was going for that Noir effect and he captured it perfectly.  So, that was just a blip on my horizon, a horizon filled with blips I must explore in order to keep my self from actually typing out the last two chapters of my sensational new novel that is bouncing around, fully developed inside my head.

Thirdly, but not finally there is this:

And this:

The final point I was going to make was about people who paint their own covers or have Auntie Elsie paint an appropriate one for them, but I want them to keep on doing that cuz I am very familiar with self-delusion and am not about to call anyone else out on it.

So when you want to talk about covers, I don't listen.  If you don't like my cover and don't pick up my book to read, well, that's okay.  They were fun to write.  

Thanks for stopping by.  Yeah.  I am still here. 

WISDOM

So many people in this world are unsung geniuses, artists, philosophers--so filled to overflowing with wisdom that will never be shared with the rest of the world.  We should all do what we can to ensure the legacies of such richly endowed humans endure.

Quote of the Day, of a Lifetime Maybe. . .

If not now, then when?

If not me, then who?



From some dude on Ted.  Thank you.

Publishing in Today's World.

What do I know?  I know more than a thousand times, someone, somewhere, and in some pretty darn disparate places, has chanced upon or been led to my blog.  I wish I knew if they read it, but the stats only show visitors, and it seems, mostly, they are reluctant to comment.  (Seriously, despite my threats, I will not come after you.)   But, I was thinking about electronic publishing versus the usual query route.  Which I am spending a lot of time doing lately.  Thinking about it and querying.  (C'mon, Dit, just do it.  What do you have to lose?  The people that you write about can't sue you if you have nothing for them to take.  Right?)  And, what I was thinking, and I feel they are thoughts worth considering,is,  if someone commits to downloading your work off Amazon or Borders, or Avon, or Carina, then chances are they will  follow through and read it and maybe comment, and maybe review and maybe spread word of mouth.  I mean, we already know even negative reviews rustle up a spike of interest.

And the querying thing, how they go on and on about how you have to have that hook in your query, a single sentence that is supposed to sell them on your work.  How are they ever going to now how charmingly facetious and whimsical are my darling characters?  How quaintly singular is my style?  How my very naughty creations manage to waltz around the most major moral inconsistencies.  And still be loved and forgiven. 

Michael Connelly is getting so much flak for going along with the price guideline stuff. (Industry standard?)  I wonder if he will fold.  I wonder if he, personally, has anything to say about it or any influence on the outcome.  The industry guideline has already been shown to be way too full of holes and ways to get around it or over it.  You read about Amanda Hocking and you cannot help but be swayed and tempted.  Sure, she signed a contract, but she already made her nut and she was probably happy to hand off just a little of the responsibility.  I don't care about the financial or legal ramifications, so I think I'm going to go back and reread that long, long, article on how to load your work on Kindle and think a little bit more about whether or not it is too complicated.  And whether my Word software can do doc. or only docx. The querying thing is just damn dispiriting.  Especially when you pick up a book that someone already got money for, and it is the same genre as your's and your's is cuter and deeper and naughtier.  Shucks.  I guess if you are not your own best fan, then you shouldn't even be  trying.   Frankly, cover art is my biggest concern.